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What are the most prevalent myths and misconceptions surrounding high-profile art heists that the media and popular culture perpetuate?

Art heists are not just limited to famous museums and galleries, they can occur anywhere art is displayed, including private collections and exhibitions.

The Gardner Museum heist in 1990 remains the largest art heist in history, with 13 works of art stolen, valued at over $500 million.

Many famous art heists have gone unsolved, with the stolen art rarely recovered.

Contrary to popular belief, art theft is not rare, it's a $6 billion a year industry.

The FBI has identified a significant number of the stolen artworks from the Isabella Stewart Gardner Museum heist, but they remain unrecovered.

Enhanced security measures in museums and collections include advanced alarm systems, motion detectors, and biometric scanners.

Art theft is often motivated by financial gain, but it can also be motivated by the thrill of the crime and the desire to possess a valuable work of art.

The illegal market for stolen art has shrunk in recent years, due to increased law enforcement attention and the difficulty of selling stolen art.

Many of the world's most famous art heists have taken place in Europe, including the 2019 heist at the Dutch royal palace in The Hague, and the 2010 heist at the Paris Museum of Modern Art.

The interpretation of art is subjective, and its value is not solely intrinsic, it can be impacted by cultural factors, historical context, and even the notoriety of its theft.

Art theft can have tragic consequences for the art world and history, the loss of a work of art can result in the loss of cultural heritage, historical knowledge, and even the loss of meaning for individuals and communities.

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